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Big Brother ou Happy Drugs : quel roman classique a correctement prédit l’avenir ?

Harrison Cook
octobre 10, 2024 | 4 lire la lecture

Depuis des siècles, les écrivains imaginent l'avenir et prédisent où nos tendances humaines nous mèneront. Aucun n'est peut-être aussi mémorable qu'Aldous Huxley et George Orwell.

Vous avez probablement étudié l'un de ces célèbres auteurs dystopiques à l'école. Mais saviez-vous qu'ils se connaissaient ? Et, plus intéressant encore, qu'ils étaient en désaccord sur l'avenir ?

Mon édition du Meilleur des mondes d' Aldous Huxley arbore une couverture bleu marine foncé ornée de points dorés en relief symbolisant des pilules. Elle comprend également des textes supplémentaires à la fin du livre. Un ajout intéressant est une lettre écrite par Huxley à George Orwell après avoir reçu son exemplaire de 1984 .

Ce que l'on pourrait s'attendre à être une lettre de félicitations s'est rapidement transformé en un exercice philosophique dans lequel Huxley compare le roman d'Orwell au sien et explique au jeune écrivain pourquoi Le Meilleur des mondes est une représentation plus précise d'un avenir dépravé.

Aïe…

Il est important de rappeler que Huxley était le professeur de français d'Orwell au lycée. On sait peu de choses de leur relation, si ce n'est qu'il n'hésitait pas à remplacer un ancien élève.

Maintenant que nous avons vécu bien au-delà du futur sombre que les deux écrivains avaient imaginé, je me demande… Qui avait raison ?

Big Brother contre Soma

Dans la lettre de remerciement d'Huxley à Orwell, il écrit : « La philosophie de la minorité dirigeante dans 1984 est un sadisme qui a été poussé jusqu'à sa conclusion logique en allant au-delà du sexe et en le niant. »

Une grande partie de la philosophie dominante de Big Brother en 1984 s'inspire du totalitarisme observé par les dictateurs qu'Orwell observait à son époque : Hitler, Mussolini, Staline. Ils gouvernaient avec un pouvoir militarisé et éliminaient quiconque remettait en question leur autorité. Cette « présence vigilante » évoque le sadisme évoqué dans la lettre d'Huxley, à tel point que la prédiction d'Orwell comportait un langage corrompu, détourné de son intention initiale afin d'inculquer à la population la confiance dans le régime.

Certains critiques présentent 1984 comme l'inverse du Meilleur des mondes . Alors que dans le futur d'Orwell, même nos pensées sont contrôlées par une force obscure et supérieure (ou l'illusion d'une telle force), dans l'œuvre d'Huxley, la population oublie qu'elle est contrôlée et s'autorégule.

Alors que dans le futur d'Orwell, même vos pensées sont surveillées par une force obscure plus grande... dans l'œuvre d'Huxley, la population oublie qu'elle est contrôlée et se surveille elle-même.

Dans Le Meilleur des mondes , le Soma , une drogue récréative qui élimine tout mal-être, est largement accessible. Ce médicament trompe ses citoyens et les conduit à un bonheur illusoire, tout en soutenant un système qui a besoin de personnes droguées pour y participer. Dans ce monde terrifiant, les individus sont élevés dans des utérus artificiels, puis orientés vers des parcours éducatifs prédéterminés, rythmés par des conditions opératoires et des plaisirs gratifiants. Ici, le libre arbitre n'a aucune importance, car les citoyens ignorent qu'il leur manque.

« La dictature parfaite aurait l'apparence d'une démocratie », explique Huxley, « mais serait en réalité une prison sans murs dont les prisonniers ne songeraient même pas à s'évader. Ce serait essentiellement un système d'esclavage où, par la consommation et le divertissement, les esclaves s'épanouiraient dans leur servitude. »

Dans le récit de Huxley, quiconque refuse Soma est séquestré sur une île avec des personnes partageant les mêmes idées, en attendant une nouvelle punition. Si le personnage principal trouve du réconfort dans la solitude – avec des personnes partageant les mêmes idées –, il prend vite conscience de la monoculture de pensée sur l'île. Personne n'est là pour contester là où cela compte vraiment.

Tout le monde pense la même chose.

Les écrivains du XXe siècle contre ceux d'aujourd'hui

Bien sûr, il est impossible de dire si l'un de ces romans était « juste » et l'autre « faux ». Comme pour tout dans la vie, deux extrêmes peuvent coexister.

Compte tenu de l'état actuel du gouvernement américain et du monde, les gros titres quotidiens annoncent 1984 comme la victoire logique. Il suffit de regarder la surveillance de nos habitudes sur Internet pour penser à « Big Brother ».

Cependant, plus je vieillis et plus je passe de temps sur les réseaux sociaux, plus je perçois la véracité du commentaire de Huxley sur le divertissement des masses tel que présenté dans Le Meilleur des mondes . Il y a une dissonance sur les réseaux sociaux, oscillant entre les images d'animaux de zoo tendance et les mises à jour minute par minute sur les génocides. Cela incite certains d'entre nous à agir, et d'autres à continuer à naviguer.

Avec l'approche des élections américaines, la désinformation politique prend de l'ampleur. Nous sommes tellement divisés sur nos « îles » que nous ne parvenons pas à nous mettre d'accord sur les mêmes faits. Il y a un vide de vérité, un fossé entre ce qu'on nous dit et la réalité. Ma réponse finale est donc : nous vivons le Meilleur des mondes et 1984. C'est les deux.

Il suffit de regarder la surveillance de nos habitudes sur Internet pour penser à « Big Brother ». Cependant, plus je vieillis et plus je passe de temps sur les réseaux sociaux, plus je perçois la vérité dans le commentaire de Huxley sur le divertissement des masses tel qu'il est présenté dans Le Meilleur des mondes .

Nous vivons une époque de surveillance citoyenne accrue et de profond engourdissement. Nous sommes surveillés et nous nous surveillons les uns les autres. Nous téléchargeons volontairement des applications qui nous surveillent. Chaque fois que quelqu'un se connecte, il devient un cobaye consentant, un fait qui se perd dans la trame du monde moderne.

Il est normal de ne pas avoir de vie privée. Il est normal de recevoir la moitié des informations disponibles. Il est normal, désormais, d'accepter quotidiennement la cruauté des infrastructures.

Pour prédire l'avenir, il faut regarder le passé — et le présent. Huxley et Orwell ont créé les prémices de leurs romans en ouvrant leur fenêtre.

Ma seule question persistante est : que pensez-vous que l’avenir nous réserve en fonction de notre présent ?

Ressources

Huxley, Aldous. Le Meilleur des mondes : avec l’essai « Le Meilleur des mondes revisité », Harper Perennial Modern Classics, 2010.

« 1984 V. Le Meilleur des mondes ». Lettres de note , 5 janvier 2021, lettersofnote.com/2012/03/06/1984-v-brave-new-world/.

Orwell, George. 1984. Penguin Classics, 2021.

novembre 29, 2025 4 lire la lecture

The Great Freewrite Séance: A Ghost'ly Charity Auction Full Terms & Conditions

These Terms and Conditions (“Terms”) govern participation in The Great Freewrite Séance: A Ghost'ly Charity Auction (“Auction”), organized by Freewrite (“Organizer,” “we,” “us,” or “our”). By registering for, bidding in, or otherwise participating in the Auction, you (“Participant,” “Bidder,” or “Winner”) agree to be bound by these Terms.

1. Auction Overview

1.1. The Auction offers for sale a limited number of Freewrite Traveler Ghost Edition units (“Items” or “Ghost Traveler units”), each personally signed and drawn on by a featured author.

1.2. All proceeds, net of explicitly disclosed administrative costs, will be donated to the charity or charitable initiative (“Charity”) identified on each auction item’s page, as chosen by the respective author.

2. Eligibility

2.1. Participants must be at least 18 years old or the age of majority in their jurisdiction, whichever is higher.

2.2. Employees of Freewrite, the participating authors, or any affiliates directly involved in the Auction are not eligible to bid.

2.3. By participating, you represent that you are legally permitted to take part in online auctions and to pay for any bids you win.

3. Auction Registration

3.1. Participants must create an account on the auction platform or otherwise register using accurate, current, and complete information.

3.2. Freewrite reserves the right to verify identity and to disqualify any Participant who provides false or misleading information.

4. Bidding Rules

4.1. All bids are binding, final, and non-retractable.

4.2. Bidders are responsible for monitoring their bids; Freewrite is not liable for missed notifications or technical issues on the auction platform or the Participant’s device.

4.3. Freewrite reserves the right to:

  • set minimum bids or bid increments;
  • reject bids deemed in bad faith or intended to disrupt the Auction;
  • extend, pause, or cancel the Auction in case of technical difficulties, fraud, or events beyond reasonable control.

5. Winning Bids and Payment

5.1. The highest valid bid at the close of the Auction is the Winning Bid, and the corresponding Participant becomes the Winner.

5.2. Winners will receive payment instructions and must complete payment within 48 hours of the auction’s close unless otherwise stated.

5.3. Failure to complete payment on time may result in forfeiture, and Freewrite may offer the Item to the next highest bidder.

5.4. Accepted payment methods will be listed on the Auction platform. All payments must be made in the currency specified.

6. Item Description and Condition

6.1. Each Ghost Traveler unit is authentic, and the signatures, doodles, and messages are original works created by the participating author. These are authors, not artists. By bidding on the Item, you acknowledge that you are receiving a one-of-a-kind unit marked with unique art and messages and you agree to these terms and conditions.

6.2. Because Items are customized and signed by hand, variations, imperfections, or unique marks are to be expected. These are considered part of the Item’s character and not defects.

6.3. Items are provided “as-is” and “as-available.” Freewrite makes no warranties of merchantability or fitness for a particular purpose.

7. Shipping & Delivery

7.1. Shipping costs, import duties, and taxes may apply unless explicitly stated otherwise.

7.2. Freewrite will make reasonable efforts to ship Items within the estimated timeline but cannot guarantee delivery dates.

7.3. Title and risk of loss transfer to the Winner upon delivery to the carrier.

7.4. Freewrite is not responsible for delays, damage, or loss caused by the courier or customs agencies.

8. Charity Donation

8.1. Net proceeds from the Auction will be donated to the Charity designated on each Item page.

8.2. Donation amounts and recipients may be disclosed publicly unless prohibited by law.

8.3. Winners acknowledge that they are purchasing Items, not making a tax-deductible donation to Freewrite; therefore, Winners will not receive charitable tax receipts unless Freewrite explicitly states otherwise in compliance with applicable laws.

9. Intellectual Property

9.1. All trademarks, brand names, product names, and creative materials associated with Freewrite and the Ghost Traveler remain the exclusive property of Freewrite or their respective rights holders.

9.2. Participants may not reproduce, distribute, or publicly display the authors’ doodles without permission where such rights are applicable, except as allowed by law (e.g., resale of the physical Item).

10. Privacy

10.1. By participating, you consent to Freewrite’s collection, use, and storage of your personal data in accordance with our Privacy Policy.

10.2. Freewrite may publicly announce auction results, including Winner’s first name, last initial, city, state/country, and winning bid amount unless prohibited by law or unless you formally request anonymity when possible.

11. Prohibited Conduct

Participants may not:

  • engage in bid manipulation, fraud, or collusive bidding;
  • use automated systems (bots, scripts, scrapers) to place or monitor bids;
  • interfere with the Auction, platform, or other participants

Freewrite may ban or disqualify any Participant violating these rules.

12. Limitation of Liability

To the fullest extent permitted by law:

12.1. Freewrite is not liable for indirect, incidental, special, or consequential damages arising from the Auction or purchase of Items.

12.2. Freewrite’s total liability in connection with these Terms shall not exceed the amount of the Winning Bid actually paid by the Participant.

12.3. Freewrite is not responsible for technical malfunctions, internet outages, system failures, or other issues beyond its control.

13. Cancellation and Force Majeure

Freewrite may cancel, postpone, or modify the Auction due to unforeseen circumstances, including but not limited to natural disasters, system failures, strikes, or events affecting participating authors or the Charity.

14. Governing Law & Dispute Resolution

14.1. These Terms are governed by the laws of Michigan, without regard to conflict-of-law rules.

14.2. Any disputes arising under these Terms will be resolved through binding arbitration or the courts of the specified jurisdiction, as applicable.

14.3. Participants waive any right to participate in class-action lawsuits relating to the Auction.

15. Amendments

Freewrite may update these Terms at any time. Continued participation in the Auction after updates constitutes acceptance of the revised Terms.

16. Contact Information

For questions or concerns regarding the Auction or these Terms, contact: hello@getfreewrite.com.

novembre 25, 2025 1 lire la lecture

This is a great gratitude writing exercise to be done alone or in a group, with people of any age.

How to Play

    1. Designate someone to read out each prompt below. (Feel free to add your own prompts.)
    2. After each prompt is read, set a timer for one minute. (With younger kids, this can be shortened. For older folks who want to freewrite meaningfully, more time can be added.)
    3. Each person freewrites by finishing the sentence and elaborating until the timer goes off. (For little kids, this can be done verbally with an adult recording their answers. Hilarity will ensue.)
    4. Remeber that freewriting — allowing yourself to write with abandon — enables you to let go, tapping into your subconscious to explore your thoughts more deeply.
    5. When everyone is done with all the prompts, take turns going through some your answers. Some people may be eager to share. Others may not want to. Respect their decision.

The Prompts

  • I'm grateful for... [After you've finished this prompt, repeat it five times. Challenge yourself and others not to repeat a singe word with each new answer.]
  • The silliest thing I'm grateful for is...
  • The littlest thing I'm grateful for is...
  • The biggest thing I'm grateful for is...
  • The grossest thing I'm grateful for is...
  • One thing I love about myself is...
  • My favorite thing that happened this year was...
  • My hope for next year is...

This writing exercise has resulted in some sweet answers — and many hilarious ones, too. If you try it out, do let us know.

Write on.

novembre 21, 2025 4 lire la lecture

For the release of Sailfish, our new firmware update for Smart Typewriter Gen3 and Traveler, we created a brand-new boot-up animation to surprise and delight our writers.

We worked with talented Danish animator Mathias Lynge to bring our experience of the writer's journey to life.

We had a blast visualizing the writer's journey in this new way. Our engineers also had a blast (or something less than a blast) figuring out how to adjust this fun, playful animation to E Ink's very tricky specifications. Hello, refresh rate woes! But we think the result is pretty fun.

"The little animation made my day when I noticed. I love a good flourish."

- Freewrite user

The process of creating this animation was long and full of Zoom calls where we deeply discussed the writing process. We were struck through those conversations by how much overlap there is in creative processes of all disciplines.

So we sat down to chat with Mathias about his creative process and what it's like being a full-time animator.

ANNIE COSBY: Let's start with the basics. What kind of art do you make?

MATHIAS LYNGE: I'm a 2D animator and motion designer working freelance with a wide range of clients. The style varies depending on the project, but it’s usually either a hand-drawn look animated frame-by-frame on a drawing tablet, or a more digital, vectorized look made in After Effects.

While much of what I do is commercial work, I try to keep up with my own passion projects as well. That could be a 10-second Instagram loop of a nature scene, or an interesting character design I’ve sketched down with a pencil. It’s there that I get to sharpen my skills and try out new techniques, which often find their way into later client projects.

AC: You often share educational content on social media for other artists. Are you formally trained, or did you teach yourself?

ML: I’m mostly self-taught. I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

When I first heard terms like “motion design” and “The 12 Principles of Animation” I was on a student exchange program at UCSB in California, where I had chosen a class called "Introduction to Animation." It was a big eye-opener for me, and from that point I was hooked.

But it’s mainly been online YouTube tutorials and my existing drawing experience that have taught me what I know.

Now, I have a big presence on social media, where I share my art as well as educational content centered around animation in Adobe After Effects, so I guess you could say that I'm also an animation influencer!

I’ve been drawing for as long as I can remember, but it wasn’t until I went to university that I realized drawing could become a career.

AC: That's actually how I first found your work. Do you have any specific artists who inspire you?

ML:In the world of 2D animation, I have a list of personal heroes that inspire me with their unique style: Reece Parker, Ariel Costa a.k.a. BlinkMyBrain, and Tony Babel, to name a few.

I also find a lot of inspiration from illustrators and painters I discover online, on platforms such as Pinterest. Last year I made a sparkling water animation that was heavily inspired by Cornwall-based artist Gordon Hunt. He makes these beautiful nature-inspired pointillist paintings that capture how light hits the ocean using colorful dots of paint. I tried to recreate that effect using After Effects to bring it to life, and it led me to a whole new way of animating within the program.

AC: Where else do you draw inspiration to create your work?

ML: I’m heavily inspired by the nature and cityscapes around me in Copenhagen, and I find that taking long walks through parks or down the streets of my neighborhood really sparks my imagination.

I’ll often carry around a sketchbook to quickly scribble down an idea or a loose sketch of something I find interesting, such as seeing how the light from a lamppost hits the surrounding leaves, or how the wind moves the tree in a certain way.

Then I’ll think to myself, “I wonder if I can recreate that motion using a specific technique in After Effects?”

I’m heavily inspired by the nature and cityscapes around me in Copenhagen...

AC: What does your daily routine look like as a full-time artist?

ML: It varies a lot, but I’m usually either working hard on a client project or tinkering away with a new animation tutorial for my social media channels.

I love being able to switch between the two, and when I’m going through a client dry spell, I find that staying creative and posting animation-related content helps keep me inspired while also putting things out into the world that may lead to my next client down the road.

AC: What's your #1 piece of advice for animators new to the industry?

ML: Keep experimenting and trying out new techniques. There’s no such thing as running out of creativity, and even though many of the things you try don’t necessarily go anywhere, it’s all experience that adds up and expands your toolbox. It’s a muscle that needs to be worked out regularly.

Plus, you’ll have more awesome animation to choose from when you’re putting together your next showreel or portfolio!

There’s no such thing as running out of creativity...

AC: What's one fun fact about you completely unrelated to animation?

ML:I’m a big sucker for history podcasts, especially if they are about ancient civilizations, such as The History of Rome by Mike Duncan.

I find it fascinating to hear how mankind was able to build such great empires without ever knowing what electricity, cars, or the internet are.

--

Follow along on Mathias's creative journey and find his free educational content on Instagram.

To learn more about working together, find him on LinkedIn or visit his website at www.mathiaslynge.com.

Learn more about Sailfish here.